Access is
granted in accordance with the Protocols
for the University Archives and Records Center.
PROVENANCE
This collection consolidates
all University Archives' holdings related to Eadweard Muybridge. George E. Nitzsche
served Penn in the early 20th century as its first publicity officer and after
1910, as its first and only "Recorder." He had a strong professional
interest in documenting the University of Pennsylvania's role in advancing the
medium of film. Nitzsche preserved some of Muybridge's equipment and negatives
and assembled a partial run of the Muybridge collotypes. Nitzsche gave a large
collection of negatives to the George Eastman House in the 1920's. He stored the
remaining materials at the University of Pennsylvania Museum of Anthropology and
Archaeology. In 1964, after his death, the Museum transferred the Nitzsche collection
to the University Archives. The City of Philadelphia's Commercial Museum received
a collection from of Muybridge apparatus and collotypes, including a set of gelatin
negatives. Provost William Pepper donated the collection to the Commercial Museum
after receiving it from the Photogravure Company. On October 1, 2001, after the
closing of the Commercial Museum, by decree of the Orphan's Court Division of
the Court of Common Pleas of Philadelphia County, the City donated its Muybridge
collection to the University Archives.
ARRANGEMENT
The materials in the Eadweard Muybridge collection is organized into six series:
Animal Locomotion study collotypes and publications, 1887; photographs, 1882-1917;
correspondence contemporary with the study, 1887-1901; miscellaneous documentation,
1870-1899; camera and related apparatus; and other published materials, 1885-1981,
including secondary sources and clippings from periodicals. The first, second,
and fourth series are arranged alphabetically, then numerically by number if applicable.
The third and sixth series are arranged chronologically. The sixth series is arranged
by box number.
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BIOGRAPHICAL NOTE
Eadweard James Muybridge was born on April 9, 1830 as Edward Muggeridge at Kingston-on-Thames,
England, the son of John and Susannah (Smith) Muggeridge. In 1852, Muybridge immigrated
to the United States. After a brief career in the printing business, Muybridge
studied photography and eventually gained recognition for his landscape photographs
of the American West. In 1872, the railroad tycoon and then-governor of California,
Leland Stanford, asked Muybridge to help settle a $25,000 bet. The bet required
Muybridge to take photographs of a running horse to prove that it had all four
feet in the air at some point. However, his attempt was inconclusive. Five years
later, 1877 Muybridge improved the mechanics of his photographic process using
a bank of cameras with mechanically tripped shutters. With his new system, he
photographed Stanford's horse Occident and proved that a running horse indeed
lifted all four feet at some point. This incident inspired him to continue the
study of animals in motion, a new venture in the field of science and photography.
With the financial backing of Stanford, Muybridge obtained more action
photographs of animals culminating in the publication of The Horse in Motion
(1877) and The Attitudes of Animals in Motion, A Series of
Photographs Illustrating the Consecutive Positions Assumed by Animals in Performing
Various Movements (1878). In 1878, Scientific American and
La Nature published reproductions of photographs in the Horse
in Motion. Subscribers could place these reproductions in their zoetrope
to view the stop motion photographs in rapid succession. Muybridge took the animating
capability of the zoetrope further by inventing the zoopraxiscope in 1879. The
zoopraxiscope projected images of slides placed on a large disk onto a screen.
Muybridge spent most of 1881-1882 in Paris and London exhibiting the zoopraxiscope
and lecturing on animal motion.
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Muybridge's ties to Philadelphia began when Fairman
Rogers, then head of the Pennsylvania Academy of Fine Arts and Thomas Eakins,
artist and professor of drawing and painting at the Academy, corresponded with
Muybridge about his Palo Alto photographs. In 1883, Rogers invited Muybridge to
give two lectures at the Academy. Also in 1883 several important Philadelphians,
including J.B. Lippincott and the provost William Pepper attended a meeting in
the office of the provost of the University of Pennsylvania. During this meeting,
the men decided to provide Muybridge with the grounds of the Veterinary Hospital
and a $5,000 advance to begin work on the landmark study, Animal Locomotion.
Starting in 1884, the University constructed an outdoor
studio for Muybridge near 36th and Pine. The outdoor studio consisted of a
three-sided black shed. White strings hung on the back wall of the shed to form
a grid to measure the movement of a human or animal as it passed through the frames.
For the production of the Animal Locomotion study, he improved his
photographic techniques by using dry plate technology, rather than the wet plate
technology he had previously used. He also equipped his three batteries of twelve
cameras each with electronically released shutters, allowing shorter exposure
times.
The Animal Locomotion study contains 781 photographs
of males and females performing common actions, often nude; physically deformed
males and females from the Philadelphia Hospital and a variety of animal species
from the Philadelphia Zoo. Models
also included students and faculty from the University of Pennsylvania and
the Pennsylvania Academy of Fine Arts. This study, completed in 1887 and published
under the sponsorship of the University, would prove to be of great use to artists,
anatomists, physiologists, and athletes.
After the completion of Animal
Locomotion, Muybridge returned to his birthplace to reside. At the World's
Columbian Exposition in Chicago, he ran "Zoopraxographical Hall" in 1893 for which
the University of Pennsylvania received an award. He later published Descriptive
Zoopraxography (1893) and The Human Figure in Motion (1901).
Muybridge died in England on May 8, 1904, survived by wife Flora Shallcross.
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SCOPE AND CONTENT
The Eadweard Muybridge Collection document his photographic career and the
contributions he made to motion pictures. Muybridge's Animal Locomotion
study, done under the auspices of the University of Pennsylvania, represents the
bulk of this collection. The Animal Locomotion study collotypes and
publications contain a nearly complete set of collotype plates of images. Included
in this series are original copies of the books Animal Locomotion,
Prospectus
and Catalog of Plates, 1887 and Descriptive Zoopraxography or
the Science of Animal Locomotion, 1893. Reviews of the Animal Locomotion
book and an offer to subscribe to the plates are also in the series.
Photographs
comprise another series. Included in this series are photographs of Muybridge
and non-collotype reproductions of the plates in the Animal Locomotion
study. The correspondence contemporary with the study series contains letters
regarding the creation and promotion of the Animal Locomotion study,
including requests for equipment; project updates and lecture arrangements. Muybridge
wrote many of these letters to Jesse Burk, the Secretary of the University. The
letters date from 1887 to 1901.
Included in the miscellaneous documentation
series are Muybridge's panoramic view of San Francisco; a program from a motion
picture exhibition that preceded Muybridge's work, and the copyrights for Animal
Locomotion among other documents. The camera and related apparatus series
contains pieces of Muybridge's camera equipment, such as film holders, lenses,
and shutters used during the creation of Muybridge's study. The glass negative
camera in this series may have belonged to Muybridge. Much of the published material
series concerns the history of Muybridge and his relationship to the advent of
motion pictures.
Other collections at the University of Pennsylvania relate
to Eadweard Muybridge. At the beginning of the twentieth-century, the University
Recorder, George E. Nitzsche, conducted considerable research in documenting Muybridge's
work and activities while at the University. His papers can be found in UPA
9. The Dr. William Pepper Papers at the Walter
H. & Leonore Annenberg Rare Book & Manuscript Library of the University
of Pennsylvania contain additional material.
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